Arguably, Blackmail is the funniest film of the year. With its tongue firmly in its cheek the plot takes us on a rollercoaster ride that involves an unfaithful wife (read: anti-heroine), a blackmailing husband (read anti-hero), a henpecked toy boy, his domineering wealthy wife, an office going go-getting woman who will stop at nothing to extort money from her senior, a boss who is obsessed with stopping the water supply in Mumbai so he can promote his brand of toilet paper and a bewigged detective who refers to himself throughout the film in the third person…
These are only some of the wacked out characters in Abhinay Deo’s Blackmail, plus of course a hero who likes to visit the office toilet with pictures of other people’s wives stolen from their desks.
Laughs Abhinay Deo, “It was a gambit. Nobody would think of putting money into something so outlandish and outrageous. But my producers did, knowing fully well that this kind of comedy does not necessarily appeal to the audience that favours the more conventional comedies.”
Abhinay recalls with a shudder the ordeal that his Delhi Belly went through. Even after being cleared by the censor board there were endless debates and discussions on the verbal excesses of the dialogues.
“Here we were not given any opportunity to feel victimized. There is a sense of vindication about being able to tell my story the way I want to,” says Abhinay as he wonders at the laughter challenge ahead.
“The audience is habituated to being spoon-fed a certain kind of comedy. It is those comedies that make the big bucks at the box office. My biggest victory as far as Blackmail is concerned is when my humour is seen to carry forward the tradition of Hrishikesh Mukherjee’s cinema,” says Abhinay whose parents veteran actors Ramesh Deo and Seema Deo are to this day remembered for their presence in Hrishikesh Mukherjee’s Anand.
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