Films like DIRTY DANCING and GREASE have enthralled millions of moviegoers across the globe. There have been few attempts to make out-and-out dance-based films in Bollywood, although there’s a barrage of dance-based shows on television these days. FAST FORWARD, directed by debutante Zaigham Ali Syed, has some brilliantly choreographed songs, but there’s a hitch: Absence of a gripping storyline. Actually, FAST FORWARD stands on a faulty story and the patchy screenplay only worsens the situation. The sole redeeming aspect of the enterprise is the dance numbers. That’s it! Write your own movie review of Fast Forward FAST FORWARD tells the story of two friends, Rehan Khan and Akshay Kapoor, who are exceptional dancers. Akshay falls in love with Rehan’s sister Bhavna Pani, only to discover she was suppressing her burning desire to dance. Akshay shows Bhavna a whole new world through dance, but unknowingly they revive Rehan’s painful and dark past. The story is full of contradictions. Firstly, the lead man is haunted by visions of his mother performing dances at sleazy joints and surprisingly, he aspires to be an accomplished dancer some day. But the moment his kid-sister wears her dancing shoes and starts gyrating, he actually throws a fit and gets those visions again that haunt him. Strange! Here’s another gaffe. When Rehan’s buddy Akshay professes love to Rehan’s kid-sister Bhavna, all hell breaks lose. Rehan severs all ties with Akshay, opts out of the dance group, even bashes him and also detests his sight. Sure, Akshay has a roving eye, but even to the viewer, his intentions this time [for Bhavna] seem honest, so why this fuss? Suddenly, in the finale, there’s a change of heart too! The climax fight between Vinod Khanna and Mahesh Manjrekar is ridiculous. Khanna bashes up a dozen-odd villains like a 20-year-old would, which is hard to digest. Something like this may have worked when Khanna was in his prime, not today. Zaigham seems technically adept, but he’s letdown by a tacky script. The songs are okay, although the choreography is top notch. ‘Taali Bajao’ – towards the end credits – is the best of the lot. The youngsters pitch in decent performances. Rehan is natural. Akshay is equally at ease. Bhavna makes a sincere attempt. Siddhanth Karnick and Sabina Sheema are perfect. Each of them is exceptional in dancing. Vinod Khanna and Mahesh Manjrekar are wasted.
On the whole, FAST FORWARD is a weak product.