Right from the time Ranbir sets his eyes on Katrina [the yellow outfit episode], the film is a roller coaster ride. A few sequences entertain you thoroughly. Sample these: Katrina slaps Ranbir when he stammers as well. She feels he’s imitating her; Ranbir’s sequence in the church; Salman Khan’s cameo; the love-hate relationship that Ranbir and his father [Darshan Jariwala] share; the sequence at the party; the interval point when Ranbir falls on the ground literally… the first hour of the film simply rocks! But the second hour makes you a little grumpy. The third angle of the triangle [Upen Patel] isn’t convincing, while his father’s [Govind Namdeo] track is beaten to death. Even the villain [Zakir Hussain] is a sore point. Watching the second hour makes you feel that the film may’ve had a longer running time and in order to bring down the length, a number of scenes must’ve been chopped off, which, in turn, must’ve resulted in continuity lapses. For instance, Katrina’s kidnap by the villains looks too sudden. When and how did it occur? Yet, there’re two sequences in this hour which are remarkable and which should bring the house down. One, when Ranbir wears Katrina’s top to hide her presence in the house and the climax fight, when Katrina mistakenly bangs Ranbir a couple of times. Directorially, Santoshi proves the naysayers wrong and bounces back with a film that the youth would relate to. You can’t write off the maker and AJAB PREM KI GHAZAB KAHANI proves it. Pritam’s music has ‘Hit’ written all over it. S. Thiru’s cinematography is first-rate. Ranbir Kapoor is the next big thing and AJAB PREM KI GHAZAB KAHANI proves it yet again. He’s charismatic, emotes exceptionally well and tickles your funny bone without making faces. It’s a fantastic performance all the way. Katrina Kaif continues to surprise. She surprised you in NEW YORK. She surprises you again in this film. She scores in both emotional and light scenes. Also, Ranbir and Katrina make a wonderful on-screen couple. Darshan Jariwala is exceptional. Smita Jaykar is very good. Upen Patel is decent. Govind Namdeo is getting typecast. Zakir Hussain is fair. Navneet Nishan is alright.
On the whole, AJAB PREM KI GHAZAB KAHANI entertains majorly. At the box-office, the fantastic pre-release campaign coupled with the terrific chemistry between Ranbir and Katrina, excellent music by Pritam and tremendous appeal for youth should ensure a big start for the film at the ticket window. The business prospects seem excellent, thus ensuring handsome returns for its investors.