In the past few years, Bollywood has churned out some very exciting spy films like AGENT VINOD , PHANTOM , BABY , BANG BANG , EK THA TIGER , TIGER ZINDA HAI , D-DAY  etc. Most of these films also had the role of a female spy who looked like she meant business and would easily kick ass. Katrina Kaif’s portrayal in the TIGER series is the most apt example. But imagine a spy who’s completely feminine replete with long, flowy hair and salwar kurtas et al. Anil Sharma did slightly touch upon this aspect in 2003 with his biggie THE HERO: LOVE STORY OF A SPY. Now Meghna Gulzar attempts to make a complete film on this aspect with RAAZI. So does it manage to engross viewers like the other spy films? Or does it fail in its endeavour? Let’s analyse.
RAAZI is the story of a young girl from India sent to Pakistan as an undercover agent. The year is 1971. Pakistan is all set to make a surprise attack on India and the Indian intelligence is trying it’s best to get the details. Hidayat (Rajit Kapur) lives in Srinagar and travels to Pakistan for business. He is a part of the Indian intelligence but has convinced Pakistani Brigadier Syed (Shishir Sharma) that he works for them. Hidayat is terminally ill and he asks Syed if he can get his daughter Sehmat (Alia Bhatt) married to Syed’s younger son Iqbal (Vicky Kaushal). Syed agrees and surprisingly, Sehmat also gives her nod. Sehmat is obviously being married to Iqbal to spy in the house of Syeds and she gets adequate training from Khalid Mir (Jaideep Ahlawat) from Indian intelligence. Sehmat gets married and she gradually gets attached to Iqbal, who gives her the space and doesn’t force himself on her. Meanwhile Sehmat begins her surveillance and finds out crucial information regarding naval attacks planned by Pakistan against India. However the challenges faced by Sehmat are immense and one wrong move can prove fatal for her. What happens next forms the rest of the story.
RAAZI is based on Harinder S Sikka’s novel ‘Calling Sehmat’. The story is novel and stands out from the rest of the spy films as the lead character goes to any lengths, morals be damned. And this bit comes across very nicely. Bhavani Iyer and Meghna Gulzar’s screenplay is a mixed bag. In most scenes, it’s simplistic and engrossing.
Alia Bhatt delivers a powerhouse performance and this is surely one of her most accomplished works. Her character is living a double life and she brings out this aspect very nicely. In the emotional and breakdown sequences, she shines! Vicky Kaushal has a limited screen time but he leaves a mark. His character is sure to be loved. Rajit Kapur is quite endearing. Jaideep Ahlawat is very good. This talented actor deserves to be seen more in movies. Shishir Sharma is quite dependable. Notice how endearing he looks when he’s interacting with Sehmat but transforms in another avatar altogether when he’s talking business. Amruta Khanvilkar (Munira) is lovely. Arif Zakaria (Abdul) plays a dynamic role with panache. Ashwath Bhatt (Mehboob) has a small role but is effective. Soni Razdan (Teji) is okay. Other actors do a good job.
Shankar-Ehsaan-Loy’s music is melodious but won’t be remembered, except for ‘Ae Watan’. The song has an anthem like feel and can get a longer shelf life if it’s played during Independence and Republic Day celebrations in the country. The title track gets noticed while ‘Dilbaro’ is completely relegated to the background.
Shankar-Ehsaan-Loy and Tubby’s background score is quite exhilarating. Jay I Patel’s cinematography works big time. The exterior shots of Kashmir are simply breathtaking. Nitin Baid’s editing is nice but should have been more razor sharp. Subrata Chakraborty and Amit Ray’s production design is very authentic. Maxima Basu Golani’s costumes are appealing. Harpal Singh’s action is subtle and not very detailed.
On the whole, RAAZI is an interesting thriller brilliantly narrated by Meghna Gulzar that makes for mature viewing. It is a film that celebrates nationalism that is devoid of the colors of religion. At the box office, it has the potential to grow with positive word of mouth and keep its makers happy.
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