After Abstract Expressionism: Making Sense of Painting in the 1960s

This article was last updated on April 16, 2022

Canada: Free $30 Oye! Times readers Get FREE $30 to spend on Amazon, Walmart…
USA: Free $30 Oye! Times readers Get FREE $30 to spend on Amazon, Walmart…

Curator's Talk with Kenneth Brummel

Presented in conjunction with the exhibition "A New Look: 1960s and 70s Abstract Painting at the AGO" on now

Everyone was at a loss after Abstract Expressionist painter Jackson Pollock famously flung and dripped paint onto the unstretched canvases he placed on the floor of his studio in 1948. To quote the American artist Allan Kaprow: He destroyed painting. But if Pollock destroyed all the assumptions everyone had about painting in the late 1940s, he also created a generation of artists who were forced to contend with his innovation in the 1950s and 1960s. In this lecture, we will explore how these artists Frank Stella, Jack Bush, Gene Davis, Helen Frankenthaler, Morris Louis, Kenneth Campbell Lochead and Kenneth Clifton Noland made sense of painting in the wake of Jackson Pollocks radical gesture.

Wednesday, February 3, 2016

7pm 8:30 pm

Jackman Hall, Art Gallery of Ontario

Members $10 Public $12 Students $8

Kenneth Brummel is the Assistant Curator of Modern Art at the Art Gallery of Ontario. A specialist in late nineteenth- and twentieth-century art American and European art, he has worked in curatorial capacities at the Cincinnati Art Museum, The Nelson-Atkins Museum of Art, Kansas City, Missouri, and the Museum of Fine Arts, Boston. He completed his graduate work at Harvard University and The University of Chicago, where he was a PhD student in art history.

View Event Details

Share with friends
You can publish this article on your website as long as you provide a link back to this page.

Be the first to comment

Leave a Reply

Your email address will not be published.


*