MUSIC Raaz – TMC takes an excellent start with ‘Mahi Ve’ which can be comfortably placed as the flagship number of the album. Though in essence ‘Mahi Ve’ is a love song, it has an element of pain and a wait for togetherness attached to it that brings with it some trademark Bhatt element. Also, this melodious track by Sharib-Toshi has a good fusion of Indian and Western instruments that come together to make it a piece which gets on you after the first listening itself. A chartbuster number that also appears in a ‘Rock With Me’ version, it is waiting to make waves in weeks to come. If you liked ‘Bheege Hoth Tere’ [Murder], chances are high that you would fall for ‘Soniyo’ as well. Picturised on Adhyayan Suman and Kangna, this Raju Singh composed has a serene feel to it and celebrates the coming together of two hearts who have perhaps found true love for the first time. With a hint of Western touch to it, ‘Soniyo’ is a soft romantic number which has it’s moments, especially in the ‘antara’ portions, where time tends to stand still! However, not just time but your feet also start moving the moment the rhythm of Raju Singh composed ‘O Jaana’ begins. A true follow up to ‘Kaho Na Kaho’ [Murder], ‘O Jaana’ is a dance floor number and more than anything else, one looks forward to seeing Kangna in a chilled out form for perhaps the first time ever in a Hindi film. A track with just the right kind of punch required to attract youngsters, especially in the ‘Dance With Me Mix’ version by DJ Suketu, ‘O Jaana’ is all set to be a number that would rock the charts other than ‘Mahi Ve’. Pranay M. Rijia, a new composer, gets an entry into the world of Bhatts with the responsibility of creating the title song ‘Kaisa Ye Raaz Hai’. The track has a haunting-n-silent beginning to it and while the pace is quite slow here, it is just right for a number belonging to this genre. A situational song, it is expected to be placed at numerous junctures in the narrative. ‘Bandaa Re’ marks an end to this album which has a devotional feel to it. A number which gives the message of God being right in front of you rather than at pilgrimage spots, it brings with it a fusion of Indian classical and ‘Sufi’ flavor.
LYRICS: As has been the case in majority of his songs, Sayeed Quadri’s lyrics succeed in telling the most complex tale in the simplest of manners. One hear of ‘Mahi Ve’ and you understand why association between Bhatts and Quadri is for the keeps. However, beats hold center stage in ‘O Jaana’ due to which one doesn’t delve deep into Quadri’s lyrics. The tide reverses though for this third track in the album, ‘Kaisa Yeh Raaz Hai’, where quite a few questions are raised and then left unanswered in a quest to be explored further in the film’s narrative. Kumaar, an emerging talent, proves his versatility once again by writing a mushy ‘Soniyo’ that is a far cry from the fun mood of his very own ‘Maa Da Laadla’ [Dostana]. Surprisingly though, the lyricist of ‘Bandaa Re’ doesn’t find his/her mention on the album’s credit details!
VOCALS: Will Toshi be the next voice for Emraan Hashmi? By the look of things, it may well be the case after hearing him singing excellently for the young actor in ‘Mahi Ve’. If Himesh Reshammiya’s voice has contributed in a major way to Emraan’s popularity, Toshi too has it in him to have an extended association with Emraan. Sonu Niigaam and Shreya Ghoshal are expectedly good in ‘Soniyo’ though both of them are best when it comes to the ‘antara’ part which musically too is far more impressive than the ‘mukhda’. Krishna sings the ‘From The Heart’ version which is almost unplugged and has a far more haunting appeal than the version heard first. Listen to this solo track when you wish to just think about the one you love most with no interference whatsoever from the outside world. Later, he is also heard in ‘Bandaa Re’ where he makes the maximum impression during the ‘Sufi’ part of the song. KK proves why he is the man of all seasons the moment his voice is heard in ‘O Jaana’ and ‘Kaisa Yeh Raaz Hai’. While he is all spirited in the former, he goes pensive in the latter, hence bringing variation in the diverse moods that the two songs are set in.
OVERALL: There were four questions raised at the beginning of this reviews for which the respective answers are: a) The music of Raaz – TMC indeed impresses, b) The soundtrack here is yet another good addition to the enviable music catalogue of the Bhatts and c) Emraan would certainly have some more chartbusters to add to his name. As for the last question i.e. whether Raaz – TMC matches up to Nadeem-Shravan’s Raaz, then well, let’s put it this way that albums like Aashique, Raaz or a Saajan are made only once and there shouldn’t even be a conscious effort to replicate or surpass them. In this regard, the music of Raaz – TMC has its own place under the sun and what matters in the end is whether it works for the film or not. Well, the answer for this one is a firm Yes!