Oye Times

Tuesday, September 02, 2014 03:16 AM

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Toronto, Canada

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Oye! Bollywood Filmi

Expectations:

Huge! This is a Sanjay Leela Bhansali-produced bio-pic, after all.

Music:

A gradual build-up of the militant cadences with the right beating of drums and rousing folk choruses pave the way for Vishal Dadlani's strident tones as he steps into the rabble-rouser 'Dil
Expectations:

Vikram Bhatt has twin musical influences - his family lineage (responsible for classics like Baiju Bawra and Himalay Ki God Mein) and his mentor Mahesh Bhatt. Vikram seems to have absorbed a lot from them, and this usually reflects in his musical highs.

Music:

For a change, we
Expectations:

Kunal Deshmukh has had a good record in saleable as well as good music (Jannat, Tum Mile, Jannat 2) and though his regular composer Pritam isn't around, this music too is expected to be in sync with both the film's subject and the market.

Music:

The first thing that
Expectations:

This is an action film with music only as an added attraction. Add multiple composers as gimmicks and expectations are at best medium.

Music:

Four composing entities, each known for specific kinds of songs, are roped in here to provide - well, those specific kinds of songs.

Expectations:

A film about dance must have good music. Period.

Music:

The lead track, 'Ishq Da Bukhar' (Krishna Beura, Amrit Maghera, who is the leading lady of the film) is as trite as can be, but the soulful tenor and the fact that it could have sounded novel 15 years ago makes
Expectations:

A contemporary 'Muslim social' from Yash Raj Films centering round Hyderabad, Lucknow- and food! Add the hot young stars Aditya Roy Kapoor and Parineeti Chopra, and Sajid-Wajid getting their first chance with YRF, and expectations really run high.

Music:

The first
Expectations:

Tips as producers are usually known for hit songs and - better still, good music.

Music:

Mika begins the album with one of his better drawls...we mean songs, 'Veerey Di Wedding'. The construction of the song is innovative, especially in the first antara, in which the

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