Rapping is a celebrated form of music worldwide. It came up from the streets and was able to resonate with all sections of society. India too has had a rapping scene and two of them who are quite famous in this category are Divine and Naezy. Zoya Akhtar’s GULLY BOY is loosely based on their lives and has managed to generate tremendous hype. The presence of Ranveer Singh and Alia Bhatt has also added to the buzz. So does GULLY BOY manage to fulfil all the expectations and emerge as a complete entertainer? Or does it fail to impress? Let’s analyse.
Reema Kagti and Zoya Akhtar’s story is promising. The character of Murad is very well written and also the world around him. Many who had criticized Zoya for showing the world of the elite in ZINDAGI NA MILEGI DOBARA  and DIL DHADKANE DO  would surely be surprised. Also the writers have ensured that the film doesn’t turn out to be just a story of a rapper. It speaks about passion, aspiration and also makes an important commentary on poverty, social strata, juvenile delinquency, polygamy etc. Reema Kagti and Zoya Akhtar’s screenplay is highly effective. A lot of research has gone into the film and it shows. Several sequences are powerful and they hit you hard. Even the humour comes out very well. Vijay Maurya’s dialogues further add to the impact as they are acidic. The poems of Murad are penned by Javed Akhtar and they have their own charm.
Zoya Akhtar’s direction is exemplary yet again and she proves she is worthy of setting her film in diverse world and yet emerging victorious. However, the film has a few rough edges and one wishes she had taken care of it. The second half is quite lengthy. In fact, it feels like one is watching a three hour long film. A few characters like Safeena and Sky (Kalki Koechlin) are interesting but they don’t have much to do and are conveniently disappeared in the middle. Also the tone and the theme of the film is such that it won’t appeal to audiences pan India. The film features scenes of rap battle where one is supposed to roast the opponent and get personal. Such scenes may put off a section of the audience.
GULLY BOY is not the usual entertainer and this becomes evident in the first scene itself. However, the goings on are very interesting and suck you into the world of these characters. The entry of Safeena adds to the fun and the sequence where she assaults Albina, a girl who shows interest in Murad, will bring the house down. Murad’s struggles and his bond with MC Sher is also well depicted. A few scenes are exceptionally directed like Murad’s first performance. Another scene that stands out in the first half is when Murad gets the idea of the song ‘Doori’ in the car. Post interval, the interest dips a bit. The film gets stretched and also has far too many sub plots. The climax thankfully is when the film picks up beautifully. The film ends on a high.
Ranveer Singh gets completely into the skin of his character. He is ten years older than Murad in real life and yet he convincingly manages to essay the role of a college student. Even as a rapper, he seems like a pro and not even once does it feel that he’s acting for the part. Also watch out for the scenes where he’s playing second fiddle to MC Sher in the first half. For a lead actor to do so is quite praiseworthy. Alia Bhatt is explosive to say the least. Her role would be loved and she’s so good that one wishes she had more screen time. Siddhant Chaturvedi makes a solid debut. He has a crucial part and would surely be talked about. Kalki Koechlin leaves a tremendous mark in a small role. Vijay Varma (Moeen) is satisfactory. Vijay Raaz is quite nice and makes an impact, especially in the pre climax. Amruta Subhash is decent. Shrishti Shrivastava (Albina) is hilarious. Jyoti Subhash (Murad’s grandmother) makes her presence felt in a crucial scene in the second half. Others are fine.
There are far too many songs in the film and none of them are conventional chartbusters, considering the theme of the film. But few of them stand out. ‘Apna Time Aayega’ has got noticed and takes the film to another level. ‘Mere Gully Mein’ is peppy while ‘Azadi’ is riveting. ‘Doori’ is quite touching. ‘Sher Aaya Sher’, played during MC Sher’s entry is decent. Background score is in sync with the film.
On the whole, GULLY BOY is a fun and moving entertainer that will surely resonate with the youth and multiplex-frequenting urban audiences. At the box office, the four day weekend will ensure that it emerges a profitable venture for its makers.
Click HERE to read more and view the original source of this article.