In a bid to establish a contemporary folklore, Bedford Creative Arts has commissioned Liverpool-based French artist Laurence Payot, for the second year running, to invite people to join together on 31 August on the Dunstable Downs for Dunstable Wind Charming Day.
On Dunstable Wind Charming Day, Dunstablians are encouraged to come together on the Downs, dance with it, tame its powerful force and sing for it to stay kind over the coming months. The tradition involves the flying of a giant kite structure, created by residents in the lead up to the day, covered in messages written on floaty strips and sent into the Dunstable sky.
Last year’s commission, called We Are Now, saw Laurence Payot collaborate with more than 2,000 people from Dunstable to explore what made the town unique; the wind. The project encourages local people to re-imagine ways to create a sense of ‘ localism’, and accentuate the beauty and uniqueness of a place, in a society where communities have shifted from local to global and much of urban Britain is suffering from bland homogeneity.
The artists held a series of community engagement sessions and events over 3 months leading up to the event, working with a group of service users from the charity MIND in Dunstable, encouraging creativity, working together and exploring the ways in which the town identifies with the wind.
The performance this year is set for 31 August in Dunstable Downs, Bedfordshire. People will gather, create a costume at the costume tent and transform into a Dunstable Wind Charmer. They can write a message on a strip that will be attached to the kite, and then all gather together to form a procession to take out the sails of the kite to the kite skeleton, creating the kite together collaboratively. When the kite is ready, the core team will fly it for all to see, and afterwards it will be brought back down, disassembled and the participants will each be able to take a sail away.
“With the help of people, and the power of collectivity, I feel like I can make things happen and things change, which I couldn’t do on my own. My medium is people; how they form communities, and how these temporary gatherings make them feel part of a bigger thing. This is all about creating an artwork that can take on its own life – what we are trying to do here is to plant strong roots for it to grow.”Art in Liverpool“