Subhash K Jha speaks about Band Baaja Baaraat

Have you ever wondered what they mean when they talk about the chemistry between a screen pair? Watch this delightful ode to the Great Indian Wedding. It solves the mystery of chemistry for keeps. The super-accomplished Anushka Sharma and debutant, quite easily the discovery of the year, Ranveer Singh(is this really his first film?) whip up a wondrous camaraderie in scenes written with such skill and craft you really don’t see the labour that has gone into building this love-shove during the time of weddings-sheddings in the heart of Nayee Dilli. Capital pleasure, anyone? Band Baaja Baaraat (BBB) is an utterly joyous and enjoyable look-see at the world of Punjabi weddings in Delhi as seen through the eyes of two wedding planners, partners in business Shruti and Bittu who have sworn from Day 1 never to get involved with one another. ‘Pyar’ (love) and ‘Vyapaar’ (business) just don’t jell. The couple keeps telling one another this. But are the Gods listening? The skilfully-written superbly crafted rom-com takes the no-holds-barred pair’s relationship through a lavish labyrinth of shaadi shindigs replete with Bhangra tracks (Salim-Suleiman) that provoke your heart and feet to jump up and dance. Outwardly the film looks like Mira Nair’s Monsoon Wedding put into a maze of wedding festivities that seem to meander from one joyous jig to another until we come to a point where we ask in unison…now what? With a smoothness of touch that shows the hand of a writer who knows his job thoroughly (full marks to the dialogue and screenwriter Habib Faizal) BBB changes the profile of Shruti-Buttu’s relationship midway. What remains unchanged is that sense of joie de vivre which comes to a film on that rare occasion when the writer and director know where they’re going and how to take the characters there without giving away the signposts to the audience. Delhi, that city of bustling streets, speeding auto rickshaws, restive bus stops, bottom pinchers and money filchers has never been more vibrant and alive in any other recent film. Aseem Mishra’s camera penetrates the heart of the Capital and the souls of its two unforgettable protagonists.

Unlike Yashraj Films’ Bunty and Babli some years ago, Bittu and Shruti are fooling no one except themselves. "Tujhe saanp-seedhi ka khel bahut pasand hai na?" Bittu challenges Shruti towards the end. Oh, the games people in love play with one another to ward off the inevitable embrace! This vibrant voluptuous ride through the kaleidoscope of weddings as the two wedding planners forget that there is a planner far more powerful than they to plan their destiny, is as engaging as it is caliber-defining for the rom-com in Hindi cinema. What does one say about the two principal performers without tripping over with the excitement of being in the midst of remarkable talent? With just three films Anushka Sharma has grown into one of the most watchable and eloquent contemporary actresses. To the role of the spirited Shruti Anushka adds the kind of spice that one associates with Kajol and Rani Mukherjee. In two key sequences with Ranveer Singh (where she conceals her true feelings and much later lets them all out in a tumble of smirking hurt) Anushka blows the screen apart. As for the film’s hero debutant Ranveer Singh sinks his teeth into Bittu’s part with a self-confidence that comes to actors after at least ten full-fledged films. And that too if they are gifted. Here’s new talent in a film industry dominated by jaded superstars. Ranveer’s spirited screen presence and quick-silver comic timing makes the older stars look… well old, if not outdated. In the climax where he calls himself an ass for denying his feelings, Ranveer is a revelation. Go for this newcomer, producers. He will soon be booked for the next three years. The supporting players are largely unexposed artistes. They add to that sense of feisty freshness that runs across the film. Bravo, Yashraj for bringing such exceptional new talent to our cinema. Bravo, debutant director Maneesh Sharma for taking us through the organized chaos of traditional weddings in movements of pure pleasure and enjoyment that communicate themselves to the audience. Hours after watching the film I’ve still not stopped smiling.

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