Jon Davis has achieved full lift-off with the launch of his sophomore release – Open Shore – a powerful, 11-track album showcasing a painterly ability to translate human emotion into delicate aural canvasses of light blue steel and shale grey, with vibrant splashes of golden hue.
Possessed of a delicate, almost chameleonic voice, you can hear distant similarities in style from James Taylor to Nick Drake, Coldplay’s Chris Martin and Royal Wood, to Lindsey Buckingham. Anyone looking to appreciate this for themselves should earmark Davis’ CD release on Friday, April 26th at Toronto hotspot, The Rivoli.
Having endured a traumatic head injury in ’06, Davis found himself hurtling along a path towards recovery – moving past personal hardships to arrive at a destination where obstacles became opportunities.
Throughout are messages of hope, and the search for endless possibility. You can hear this in the opening track – “Overcome”. Wrapped in a buoyant, James Taylor-esque joie de vivre, it firmly positions Davis as having cleared the shadows by moving into the light. Consider “The Prince’s Shadow” – a song whose lyrics combat despair as its aggressive hook reveals the singer front and centre.
On “The Streets Aren’t Paved”, the singer-songwriter takes an even more assertive lead singer role, illuminating a direction well worth the taking while driving home his highly expressive lyrical content.
Davis presents “After The Birds” as a heartfelt paean to balancing needs over our wants. His soft singing voice, reminiscent of the late Kenny Rankin, sets its sparse presentation into motion as a moody, sweeping soundscape before it spins out of control in the vein of “Aladdin Sane”.
Counter this with the timeless poetry of Thomas More in “If All Those Endearing Young Charms” as Davis’ gentle, acoustic guitar-driven approach rekindles Nick Drake – his solemn, weathered vocal hitting home his transformation of More’s words depicting the power of love over appearances.
Through Open Shore, Jon Davis challenges how we view our world and what we can do to make it better. It’s an uplifting wake-up call that’s as reassuring as the gentle, forever lapping of the waves, offering us the encouragement we need to get past personal trials by showing us how to – as he does in “The Scarecrow and the Sunflower” – touch the beauty.
“…If you like James Taylor, I think you will absolutely love Jon Davis. Very, very nice voice… very, very fine album by a Montrealer.”
=CBC Radio One (Daybreak)
“Here’s a nod to a new Canadian singing talent; Montreal’s Jon Davis is generating buzz for his Indie/Folk/Rock.”
CTV News @ Six
“[A] Canadian who we (and not only James Taylor fans) should keep an eye out for.” www.altcountryforum.nl (Netherlands)
“Jon Davis’ musical chops and training are of the highest caliber, they have to be to get your foot in the door in this industry. I urge other presenters to get this guy on their stage in any capacity available.”
Matt Large, Hello Darlin’ Productions / The Wintergreen Concert Series
“Jon Davis’ warm vocals and understated guitar create an intimate mood that softly envelops the listener. His music is a blend of Folk and Jazz reminiscent of James Taylor and Nilsson yet his sound, purely his own. Jon is by far one of the most talented singer-songwriters to emerge since Van Morrison.”
Alex Boicel, BET Jazz / Cayenne Jazz Festival)
“Jon Davis is one of my favorite performers. He is eclectic, passionate, uniquely multi-talented yet vulnerable and unassuming. He delivers with quiet confidence, yet possesses bold and raw passion.”
Holly Fleming, The Yellowdoor
WHO: Jon Davis Releases ‘Open Shore’
Open Shore will surely open doors for this songster who serves up feisty folk,
indie-seasoned rock and fluff-free pop
Opening set: Matt Tomlinson
WHERE: The Rivoli, 334 Queen St W, Toronto
WHEN: Friday, April 26, 8:30pm
TIX: $10 adv / $15 (416) 596-1908